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. This site exists as an archive of Today @ Colorado State stories between January 1, 2009 and September 8, 2014.

March 28, 2013

In 'The Merry Widow,' a prince from a small kingdom courts a wealthy widow to keep her money in the country. Don't miss this collaboration between the Ralph Opera Center and the CSU Sinfonia Orchestra!

Colorado State University’s Ralph Opera Center, along with the CSU Sinfonia Orchestra, presents The Merry Widow by Franz Lehár.

Tickets are available at the University Center for the Arts (UCA) Ticket Office in the UCA Griffin Lobby, by phone at (970) 491-2787, or Loeffler Randall Woman Shearling And Patentleather Wedge Brogues Black Size 55 Loeffler Randall VnnyN0ej
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online

Youth tickets must be purchased in person at the Ticket Office. Advance purchase is recommended to avoid at-the-door fees.

The Merry Widow tells the story of a rich widow, Hanna Glawari, and her countrymen’s attempt to keep her money in the principality by finding her the right husband. Count Danilo Danilovitsch, who was once in love with a penniless Hanna before her marriage, vies for her affection, but his efforts ignite a back-and-forth war of the roses.

This romantic comedy is filled with twists and turns that will keep the audience on the edge of their seats.

CSU’s production, performed in English, is directed by distressed effect jeans White Just Cavalli Q1eAljkH
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.

“I chose this piece because it is a great fit for the voices we have in our program,” noted CSU director of opera Tiffany Blake.

“It is an ensemble show, so it also gives a lot of students the opportunity to perform. Aside from these more practical reasons, it is an entertaining piece with beautiful music.”

The Merry Widow is a great first-time opera experience. Because it is an operetta, it includes musical numbers bridged by spoken dialogue. Resembles musical theater in structure, it is often a more familiar form to first-time opera goers, but also proves a classic favorite for the seasoned opera aficionado.

In addition to the accessible format, CSU is putting a more modern twist on the original production. Franz Lehár’s original script sets the story in Paris during the early 1900s, but CSU’s production will be set in the 1920s.

“The 20s were a time of beautiful design, both in terms of architecture and clothing, so it afforded the design team lots of opportunity to create something beautiful on stage,” said Blake.

“The post-WWI era was also a time of breaking boundaries and enjoying life, so the atmosphere of going to clubs (like Maxim's in the operetta) and living the life of a playboy like the main character Danilo, was a good parallel.”

To achieve this 1920s look, Taylor Webster, CSU’s master carpenter and theatre program alumna, worked closely with Blake.

- Ottawa Seniors

“…An Unbelievable World Of Magic And Mysticism.”

- Ottawa Citizen

“…A Spell Binding Trip…”

- Ottawa Arts Newsletter

“…Simply phenomenal.”

- The Epoch Times

“Carnivàle Lune Bleue was a delight.”

- Ottawa Sun

“…The audience clasped hands over gaping mouths and held their collective breath in awe…”

- Ottawa Citizen

“…Six Solid Hours of Entertainment… You Should Go.”

Destination unknown

Overview

2010 marks the third year of performances for Carnivàle Lune Bleue after critically acclaimed appearances in the Ottawa area in 2008 and 2009.

Inspired by the magic, mysticism, mystery and captivating allure of travelling carnivals from the 1930′s, Carnivàle Lune Bleue is an all-senses escape to another time and place.

Step beyond the brightly-lit front gate of Carnivàle Lune Bleue and become immediately immersed and entirely engrossed in a colourful, gritty, authentic, surreal and frequently bizarre all-evening entertainment extravaganza.

Shimmering lights illuminate a movie-like setting and lead the way through a magical night time journey that promenades through a vintage midway with vintage rides, tempting skill-testing games, remarkable reptiles, a museum of monstrosities, curiousities and myths and, so much more.

Sights, sounds and sensual aromas abound. Performance artists with spectacular, scary and seductive talents await to astound audiences with amazing shows. Culinary creations that pay homage to the cuisine of a bygone carnival era are served up to tantalize taste buds.

From Dreams To Reality

Carnivàle Lune Bleue is a dream come true for one man with an exciting vision, for all the behind-the-scenes folks who helped with its creation, and for the thousands who experienced the magic and mysticism first hand.

Before it made its debut in 2008 Carnivàle Lune Bleue was painstakingly planned, researched and prepared over several years, from conception to reality. Visionary and Founder, Wayne Van De Graaff, is a carnival enthusiast who has, for many years, been fascinated with the dream of reviving an authentic old-style carnival. With Carnivàle Lune Bleue, his dream has become a reality.

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La Vie – A circus beyond this world (Featuring Les 7 doigts de la main)

Sideshow – Alive on the Inside.

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Setting out to capture the gritty, magical atmosphere of a 1930s carnival can be an almost impossible task, unless you make a point to find historians and experts who are steeped in knowledge and experience. Carnivàle Lune Bleue has brought together the brightest and best carnival and cirque experts from around the globe to form a world-class advisory team.

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The 28Huntington EstateMusic Festival

Opening Weekend: 18 19 November 2017

Main Festival: 22 – 26 November 2017

This spring, experience World-Class chamber music concerts, gourmet canapés and meals, and award-winning wine in the beautiful rustic setting of the Barrel Hall and grounds of the Huntington Estate Winery in Mudgee.

People travel from all around the world to attend the Huntington Estate Music Festival presented in association with Musica Viva Australia. The Festival isMusic Australia) in(Limelight).

Since 1989, the Huntington Estate Music Festival has been held each year in the Huntington Estate Barrel Room, a fantastic space with "one of the greatest acoustics on the planet" (Richard Tognetti) and a unique atmosphere. All concerts include generous interval refreshments and are followed by gourmet meals and a selection of the best Huntington wines. Evening concerts are preceded by a choice of aperitifs, with the full wine service continuing through the concert interval and afterwards with dinner.

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Musical content is devised by Artistic Director Carl Vine and managed by the world's largest chamber music entrepreneur, Musica Viva Australia.

Each year features a stunning collection of prominent international artists alongside Australia's finest musicians, in stimulating programs that run the full gamut of the chamber music experience. Piano services Provided By Theme Variations.

There are many ways to experience the joys of Huntington, from all 8 concerts of the Full Festival, 4 concerts of either the first or second half ( Mid-Week or Finale Weekend respectively), or for a Taste of Huntington with 1 or 2 concerts of the Opening Weekend . The Full Festival runs over 5 days between 21st and 25th November.

For more information about the 2018 Festival, please browse this site:

2018 Artists

2018 Program

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Telephone 1800 995 931 during office hours,or email musicfestival@huntingtonestate.com.au to receive your invitation or for more information.Opening Weekend tickets are available to purchase now on www.trybooking.com.

Tickets will go on general release on July 9th 2018.

About the Festival in more depth

From the first Huntington Estate Music Festival in 1989, to the twenty-ninth in 2018, this unique annual experience has delighted audiences and musicians alike. There are four key reasons why it continues to thrive:

If you've never been to the Huntington Estate Music Festival, read on to find out what it's like, and how it all works.

A day in the life of The Huntington Estate Music Festival

Saturday Evening -Opening Weekend

Go to bed tired but full of music, relaxed and happyto get ready to do it all over again tomorrow!

NB: Of course soft drinks are also served, and there's no compulsion to stay late after lunch or dinner. Some of our audience do and some don't. The option to indulge is simply there if you want to take it!

Sunday Morning-Opening Weekend

Wake up after a good night's sleep in one of Mudgee's many wonderful award winning BBs, cottagesor hotels and enjoy a leisurely breakfast.Dress as you wish! Each year we warmly welcome guests in shorts, in black tie and everything in between. Arrive fully revivedat Huntington Estate for coffee, tea orjuice (under the trees if it's nice weather, otherwise inside the hall), ready for:

Afternoon

Main Festival

The First Day

The first concert in the festival starts at 7:30pm on Wednesday evening. Join us from 6:30pm for a welcoming drink and to collect your tickets. Relax in the quiet anticipation that always takes over our patrons ready for a flood of fine music, food and wine.

Morning

Wake up after a good night's sleep in one of Mudgee's many wonderful award winning BBs, cottagesor hotels and enjoy a leisurely breakfast.Dress as you wish! Each year we warmly welcome guests in shorts, in black tie and everything in between. Arrive fully revivedat Huntington Estate for coffee, tea orjuice (under the trees if it's nice weather, otherwise inside the hall), ready for:

Afternoon

Evening

Go to bed tired but full of music, relaxed and happyto get ready to do it all over again!!

NB: Of course soft drinks are also served, and there's no compulsion to stay late after lunch or dinner. Some of our audience do and some don't. The option to indulge is simply there if you want to take it!

6.00 pm- 7.00 pm:

English operetta continued into the twentieth century, with works by composers such as Edward German, Lionel Monckton, and Harold Fraser-Simson—but increasingly these took on features of musical comedy until the distinction between an "old fashioned musical" and a "modern operetta" became very blurred indeed. Old fashioned British musicals, in particular, retained an "operetta-ish" flavor well into the 1950s. More modern operettas include Candide and, some would claim, musicals like Brigadoon .

A late twentieth century renewal of the importance of recitative and serious musical composing developed in rock operas such as Andrew Lloyd Webber's Jesus Christ, Superstar, Evita, and Phantom of the Opera have rearranged the elements of opera, operetta and musical theater in yet another way, yielding works with music more like an operetta than a musical, serious plot lines more typical of a standard opera than an operetta, yet performed primarily by artists with musical theater backgrounds, in musical theater venues.

A scene from Ralph Benatsky's operetta, .

The exact structure of an operetta is difficult to pin down, mostly because of its loose definition. It is useful, however, to point out some of the things that define the differences between an operetta, a Broadway-style musical and a standard opera. In an opera, the drama is carried along by the music and singing. Operas usually emphasize an epic, grand style, with more emphasis on singing than acting. Operettas, on the other hand, tend to have dialogue broken up by musical numbers. An operetta is almost casual in comparison, and the singing style is very different. Many operettas can be performed by average or fair singers, whereas most operas cannot.

Operetta does not ask much of its audience, in contrast with opera, which is often hard to understand unless one is familiar with the story beforehand. Operettas are romantic, and nearly always promise a happy ending. The score is accessible and soaring, with the tenor and soprano taking center stage and a supporting cast that includes comedians and a large male chorus. The setting is often an exotic European country or a mythic utopia—or often, a combination of the two. And the plots usually center around aristocratic, farcical, love stories. FOOTWEAR Courts D Marra vZXpeVr

Sheet music cover, (known in English as or ), operetta by Robert Planquette, 1877

1881 Program for

Score for Sidney Jones' (1896)

Sheet music cover, , in three acts by Chips leather pumps Roger Vivier VJaIMJA2r
, 1896

, operetta in three acts by Victor Herbert, 1898

Sheet music cover, , Victor Herbert operetta that premiered in 1903

Sheet music cover, , operetta by Victor Herbert (1906)

Sheet music cover, , operetta by Charles Cuvillier, 1912

The following is a list of composers who have written works in this genre [3] :

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